2024 MULCIP Art 6th Exhibition Synopsis The theme of this
19 to 21 November 2018
Forrest restores. The theme of the prelude, for.rest, marks a phase of respite and discovery for the artist.
Forrest has hidden notions, spaces and dreams for the discovery of the self and others, independent of time. Exploring the pour technique with strong strokes to uncover worlds within her dreams, the artist constantly reaches for her providence. Phonetically, Forrest signifies the artist as a figure lost within the thicket of her dreams, as she re-establishes her balance in life, while For-rest alludes to this phase as a time of rest, composure and self-discovery.
The prelude presents in two parts the artist’s works, from 1990 to 2000 and from 2001 to 2018, marking a deliberate and distinct movement away from her previously more symbolic approach, as inspired by the works of Henri Matisse, in search of her spaces through more fluid, less deterministic artistic expressions and techniques. The results are works of less references, more individualistic and open.
Exhibition Date/Time:
Opening Night: 19 Nov 2018, 6pm
Exhibition Dates/Time: 19 Nov -21 Nov, 12pm – 8pm
Solitude (A set of 3 paintings)
2018
Acrylic on canvas
366cm (W) x 152cm (H)
Solitude Love A Lonely Love? A One-sided Love? No, It Is The Greatest Love Of All In Solitude…
In one single-mindedness I created this painting… The love of someone So deep that Covers the endless oceans Without condition… Without expectation… For you and me… And who is it? It is my saviour And my love…
And In Eternity… Alas, Asleep In My Lover’s Arm… In Solitude Love I Named It… A Threefold Piece In Endless Dreams… – Poem by Chan Choy Har |
Vessel
1992
Acrylic on canvas
102cm (W) x 121cm (H)
A Body In Nude
I Drew With Skills…
A Body Of Skills
Is A Body Of Envy
Among The Peers…
Yet A Body Of Love
Is A Vessel
Contained…
Greater Than Any
Body In Nude…
Voyage
2017
Acrylic on canvas
122cm (W) x 152cm (H)
Voyage Of Life
Who Can Explain?
The Path
That Is Less Travelled
But Is Valued By Many…
Do You…
Would You…
Take It Too?…
Chan Choy Har | 陈彩霞 received her BA in Fine Arts from RMIT University, Australia and MA in Art Education from National Institute of Education, NTU Singapore.
She has won many awards; including the Commonwealth Foundation Fellowships in Arts and Crafts (1992 – 1993), second prize at the Philippe Charriol Foundation Contemporary Art Competition (1994), Best Young Artist by Singapore Telecommunications (1995) and Dr Tan Tsze Chor Excellence Award (1997 and 2007). She has held various positions in the Modern Art Society (Singapore) since 1989, including the position of President from 2011 to 2012.
An artist-in-residence in Gray’s School of Art, Robert Gordon University, she held her 1st solo exhibition in Aberdeen Arts Center in Scotland, United Kingdom (1993). She participated in many local and overseas exhibitions (1986 – present), such as the Asian International Art Exhibition (AIAE), held in Indonesia, Thailand, Macau, China, Japan and South Korea.
Her works have been collected by Singtel and other corporations.
《走进古宅,探索新加坡本土艺术》THE SHOPHOUSE EDITION: SINGAPORE ART TREASURES EXHIBITION 关于展览 Asia Art
10 Penang Road,
#01-02 Dhoby Ghaut Green,
Singapore 238469
140 Paya Lebar Road,
#03-04 AZ@Paya Lebar Building,
Singapore 409015
Dhoby Ghaut Art Studio
Monday to Sunday: 11am – 8pm
Closed on Public Holidays, except by appointment.
MacPherson Art Studio
Saturday: 10.30am - 5.30pm
Closed on Monday to Friday, Sunday & Public Holidays, except by appointment.
Visual Arts Centre is an exhibition gallery and art studio at Dhoby Ghaut Green supported by the National Parks Board and the National Arts Council.
Since its initiation on 31 January 2016, the Visual Arts Centre Exhibition Gallery has hosted over two hundred international and local art and design exhibitions, boasting a diverse range of art styles and programmes.
Email:
info@visualartscentre.sg
Phone:
+65 6255 0711
+65 6733 2155
In the Batik Introduction Handkerchief Painting workshop, participants will learn the traditional art of batik, a wax-resist dyeing technique originating from Indonesia. The workshop begins with a brief history and overview of batik, highlighting its cultural significance and various techniques. Participants will then observe a demonstration of applying wax with tjanting tools and dyeing the fabric. Following the demonstration, each participant will design and create their own batik handkerchief, applying wax to create patterns and then dyeing their fabric. The workshop concludes with a group discussion, allowing participants to share their creations and reflect on their learning experience.