Calligrapher-turned-painter's monumental works of Mount Siguniang

“I started writing with the brush when I was five, though I am now using the brush to paint instead,” he says.

When he was young, all he wanted was to be a successful Chinese calligrapher, he says. But that changed after he married a seamstress and they left for Beijing to make a living, in 1997. They have a 17-year-old son studying at an art academy in Xi’an.

“I started by selling my calligraphy and traded in antique paintings and artworks at weekend art markets there, but later realised I could also learn to paint,” he says.

He enrolled at the Beijing Fine Art Academy to study under the masters about a decade later, in 2008.

After that, there was no turning back, as he spent all his time in the pursuit of a breakthrough in Chinese ink painting; reading up on and learning from the masters past and present.

He says: “Finally, I realise that besides perfecting the techniques, the works I create must be monumental, in order to create an impact and show the potential of Chinese ink to the fullest. So I decided to go up to the mountains to paint.”

After a year of looking for the perfect place to go, he found the Siguniang mountain at the Sichuan-Tibetan Highlands, with a snow-capped top rising more than 6,300m above sea level.

He says: “It is a perfect spot where I found a great sight, peace, quietness and great respect for nature. Whenever I am up there painting, I feel reluctant to return because I enjoy the spectacle I see, which is far away from the troubles of the world under me.”

Gui says he will be heading back to the mountain soon to paint.

“I will probably spend the next few years going back again and again because I cannot paint enough of the mountain and its surroundings,” he adds.