Acrylic Painting on Canvas Team Bonding Art Jamming Singapore Visual Arts Centre


















Yeo Hoe Koon
Oil on Canvas
64 x 89.5 cm
Price Range: $16,000 - $20,000
Yeo Hoe Koon
Oil on Canvas
101 x 123 cm
Price Range: $26,000 - $32,000
Chen Wen Hsi
Chinese Ink and Color on Paper
50 x 54cm
Price Range: SGD $42,000 - $50,000
Cheong Soo Pieng
Red Tone
61 x 91.5cm
Price Range: SGD $108,000 - $138,000
Cheong Soo Pieng
Abstract Landscape
50 x 61cm
Price Range: SGD $95,000 -$128,000
Fan Shao Hua
Chinese Ink and Colour on Paper
100 x 100cm
Price Range: SGD $9,800 - $14,800
Fan Shao Hua
Chinese Ink and Colour on Paper
100 x 100cm
Price Range: SGD $8,800 - $13,800
Painter Chen Wen Hsi (1985-1988) in a portrait photograph (silver gelatin print) taken by Singaporean photographer and Cultural Medallion recipient Chua Soo Bin. PHOTO: COURTESY OF NATIONAL GALLERY SINGAPORE, via The Straits Times.
To fully appreciate Chen Wen Hsi’s art and determine his significance as a collectible artist, here are ten essential points.
The Nanyang style emerged when Chen Wen Hsi, together with Cheong Soo Pieng, Liu Kang, Chen Chong Swee, and Georgette Chen, integrated Chinese ink traditions with Western modernist techniques, adapting them to Southeast Asian subject matter. This synthesis created a visual language that reflected Singapore’s multicultural identity and tropical environment. Chen’s role in this pioneering moment places him among the most important figures in Singaporean and Southeast Asian art history.
Abstract Cranes, c. 1960s, Oil on canvas. Collection: National Heritage Board, Singapore. PHOTO: Google Arts and Culture.
Chen Wen Hsi’s brilliance lay in his dual mastery of traditional Chinese ink painting and Western oil painting. While his ink works reflect centuries of Chinese artistic tradition, his oil paintings reveal his engagement with Western movements such as Cubism and Fauvism. Few artists could traverse these worlds with equal authenticity. His ability to harmonize two contrasting traditions made his oeuvre both innovative and timeless.
Gibbons, Chinese Ink and Color on Paper, 50 x 54cm. Price Range: SGD $42,000 – $50,000. Showcased as part of The Private Art Sale II collection.
Chen is perhaps best known for his animal paintings, particularly gibbons, birds, fish, and squirrels. His brushwork imbued these creatures with vitality, elegance, and symbolism. His gibbons became iconic representations of freedom, playfulness, and grace, appearing repeatedly in his oeuvre. Beyond animals, he depicted local market scenes (Pasar), landscapes, and ordinary people, encapsulating the vibrancy of Southeast Asian life with lyrical sensitivity.
National Gallery Singapore curator Teo Hui Min (left) discussing Chen Wen Hsi’s oil on board work Oasis (1972) during a media tour on Sept 5. The painting was previously conserved, so it only needed a light dusting and protection on the verso in preparation for exhibition. PHOTO: The Straits Times.
While deeply rooted in tradition, Chen was also an avant-garde thinker. His works often employed angular compositions, fragmented perspectives, and experimentation with form influenced by Cubism and abstraction. Yet he balanced this modernist impulse with the rhythmic fluidity of Chinese brushwork. This fusion made his art universally appealing while retaining a distinct Asian essence.
Chen Wen Hsi’s work is part of Singapore’s collective memory. His paintings have been reproduced on stamps, commemorative ingots, EZ-link cards, and other national memorabilia. Most notably, his painting Two Gibbons Amidst Vines is immortalized on the reverse side of the Singapore S$50 banknote. Few artists achieve such cultural enshrinement, making his works symbolic not just of art history, but of national identity itself.
Beyond his studio practice, Chen was an inspiring educator. He taught at the Nanyang Academy of Fine Arts (NAFA), shaping generations of artists with his commitment to discipline, creativity, and cross-cultural fluency. His role as a mentor extended his influence beyond his lifetime, as many of his students became leading figures in the Singaporean and regional art scenes. This impact cements his place not just as a painter, but as a visionary who nurtured Singapore’s artistic growth.
Chen Wen Hsi received the Cultural Medallion in 1982, Singapore’s highest honor for artistic achievement. His works are housed in major collections such as the National Gallery Singapore, the Singapore Art Museum, and private holdings internationally. Institutional recognition validates his role as a master of Singaporean modern art, ensuring his continued presence in exhibitions, catalogues, and critical discourse.
Chen Wen Hsi’s market performance reflects his standing among collectors of Asian modern art. Some of his most notable auction results include:
Pasar (Oil on canvas) – Sold for HK$17.22 million (approx. US$2.2 million) at Sotheby’s Hong Kong in 2013, his highest record to date.
Abstract Composition (1963) – Achieved HK$7.9 million at Christie’s Hong Kong in 2019.
Two Gibbons Amidst Vines – Variations of this theme have consistently fetched between HK$3–6 million in regional auctions.
These achievements place him in the same league as the most collectible Southeast Asian modernists, underscoring both his cultural importance and investment value.
Chen’s market is robust and stable, appealing to seasoned investors as well as first-time collectors. While masterpieces like Pasar command multi-million-dollar bids, smaller ink works, sketches, and studies remain accessible to collectors at different levels, often starting below US$50,000. This range ensures that his works are both attainable and aspirational, giving collectors multiple entry points into his oeuvre.
Gibbons on the Pine, Chinese Ink on Paper, 191 x 100cm. Price Range: SGD $78,000 – $108,000. Showcased as part of The Private Art Sale II collection.
Ultimately, Chen Wen Hsi’s significance transcends monetary value. His art embodies the story of Singapore’s cultural awakening, reflecting its journey from colonial settlement to independent nation. To own a Chen Wen Hsi piece is to hold a fragment of this journey—a cultural anchor that bridges East and West, tradition and modernity. Collecting his works is not just about investment but about preserving a piece of Southeast Asia’s artistic heritage.
Chen Wen Hsi is not only worth collecting; he is essential to any serious collection of Southeast Asian modern art. His pioneering role in the Nanyang style, his mastery of both ink and oil, his influence as an educator, and his deep imprint on Singapore’s national identity make him a cornerstone of regional art history.
His highest auction record of US$2.2 million reflects the market’s recognition of his brilliance, while his cultural immortality—appearing on stamps, commemorative items, and currency—underscores his enduring legacy. For collectors, his works offer both cultural depth and financial stability. For Singapore and beyond, Chen Wen Hsi remains an artist whose vision continues to inspire, decades after his passing.
In appreciating Chen Wen Hsi, we do not merely celebrate a painter; we honor a pioneer, an educator, and a cultural icon whose works will remain treasures for generations.
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Embark on a captivating journey into the vibrant world of digital art! Our Foundation in Digital Art workshop invites budding creatives aged nine and above to unleash their imagination and hone their artistic skills in a dynamic, supportive environment. From mastering basic digital tools to crafting mesmerizing digital masterpieces, children will explore a spectrum of techniques guided by seasoned mentors. Through hands-on activities and interactive sessions, participants will discover the endless possibilities of digital expression while fostering creativity and critical thinking. Join us for an exhilarating adventure where young artists transform ideas into stunning visual realities, igniting a passion for digital art
In the Batik Introduction Handkerchief Painting workshop, participants will learn the traditional art of batik, a wax-resist dyeing technique originating from Indonesia. The workshop begins with a brief history and overview of batik, highlighting its cultural significance and various techniques. Participants will then observe a demonstration of applying wax with tjanting tools and dyeing the fabric. Following the demonstration, each participant will design and create their own batik handkerchief, applying wax to create patterns and then dyeing their fabric. The workshop concludes with a group discussion, allowing participants to share their creations and reflect on their learning experience.