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在哪里还能买到新加坡第一代与第二代画家的经典藏品？

在哪里还能买到新加坡第一代与第二代画家的经典藏品？

在东南亚艺术品收藏市场中，新加坡第一代、第二代画家作品是具有稀缺性，并且有很大升值空间，新加坡第一代和第二代画家作品见证了新加坡南洋艺术从萌芽、成型到本土化成熟的百年历程，是美术馆馆藏、资深藏家私藏的优选品类。 

Lim Tze Peng artwork Asia Art Collective _ artwork for sale

不同于市面流通的普通装饰画作，正宗新加坡先驱画家、本土二代名家精品，极少公开散售。绝大多数稀缺原作、经典代表作，仅通过专属艺术机构与私人艺术顾问渠道购买和收藏。今天我们深度解析新加坡第一代和第二代画家的主要核心人物和作品的艺术价值、市场价格走势和收藏渠道。

Georgette Chen, Still Life With Big Durian, 1965, S$2.47 million
PHOTO: CHRISTIE’S IMAGES LIMITED 2023

右起：新加坡先驱艺术家刘抗、罗铭（刘抗的上海同学）、陈文希和钟泗宾。
（图片取自 Bali 1952: Through the Lens of Liu Kang )

一、什么是新加坡第一代画家？

新加坡第一代画家，又称南洋画派艺术家，又称新加坡第一代艺术先驱，活跃于20世纪初至60年代，是奠定新加坡艺术根基、创立南洋艺术风格的奠基人。 

新加坡第一代艺术家是早年随家人移居新加坡，在中国接受过专业艺术教育，具有传统的中国水墨功力，又出国深造接受西方的艺术熏陶。所以新加坡第一代艺术家作品，大多兼具中西艺术底蕴，融合中国传统书画笔墨、西方油画光影技法，结合南洋热带风土、人文风貌，打破传统艺术边界，塑造了独属于新加坡的艺术美学体系，也是东南亚现代艺术的开拓者。其作品被新加坡国家美术馆、其他国家美术馆永久典藏，是艺术史上的标杆性创作。

新加坡第一代画家核心代表人物 

重要的新加坡第一代画家

刘抗、陈文希、陈宗瑞、钟泗宾与张荔英是南洋画派的标志性人物，在新加坡艺术史上的地位无可替代。其他同样重要的第一代画家还包括范昌乾、林学大、陈人浩、施香沱、林清河、吴在炎与李曼峰。

刘抗先后在上海与巴黎学艺，将巴黎画派大胆的色彩与平面化的造型运用于东南亚题材。他笔下色彩明快的巴厘岛风情与马来甘榜生活，是南洋画派最具代表性的画面之一。他亦通过新加坡艺术协会，为本地艺术界的建设发挥了重要的领导作用。

Image of Chen Wen Hsi
(Photo credits: Chua Soo Bin)

陈文希以长臂猿与白鹭闻名，作品融合了中国水墨的写意灵动与立体主义的结构。他长期任教于南洋艺术学院，影响了数代新加坡艺术家，其长臂猿画作更被印在新加坡50元纸币上。

Chen Chong Swee, Dinghu Mountain and Lake, S$35,000
(Photo credits: Larasati Auctioneers)

陈宗瑞是最早将甘榜、椰树与乡村生活等本土题材引入传统中国水墨画的画家之一。他身兼画家与教育家，为具有南洋特色的水墨画奠定了方向。

Cheong Soo Pieng, Drying Salted Fish, 1978. 70 x 103 cm, Chinese ink and colour on cloth.
(Collection of National Heritage Board.)

钟泗宾是先驱画家中最勇于探索创新的一位。他笔下优雅修长的马来与巴厘岛女性形象，成为南洋画派的标志性风格。他的创作横跨水墨、油画与综合媒材，晚年更转向抽象艺术。他的作品《晒咸鱼》同样出现在50元纸币上。

Self Portrait, Georgette Chen, Singapore, c. 1934, oil on canvas. Gift of Lee Foundation, collection of National Gallery Singapore.
(Photo credits: National Gallery Singapore)

张荔英在巴黎接受艺术训练，是先驱画家中为数不多的女性。她的热带水果静物与人物肖像，以细腻的后印象派风格诠释本土题材。她在南洋艺术学院任教多年，并于1982年荣获新加坡文化奖。

其他重要的第一代画家

另有多位先驱画家同样做出了重要贡献。林学大于1938年创办南洋艺术学院，并提出了塑造南洋艺术运动的理念。范昌乾与施香沱将文人水墨传统带入新加坡，在花鸟与山水画领域各自形成了清雅独到的个人风格。陈人浩任教于南洋艺术学院，为学院早期的油画发展方向奠定了基础。林清河是新加坡水彩画的先驱，以极其细腻的笔触描绘新加坡河与老店屋。李曼峰曾在新加坡工作，后成为印尼苏加诺总统的宫廷画家，他融合中国水墨与西方写实技法，其作品如今是区域艺术市场上最受追捧的藏品之一。 

Chinese ink painting by Fan Chang Tien available for art collection

Fan Chang Tien
(Photo credits: Asia Art Collective, Visual Arts Centre)

范昌乾在将海派水墨画引入新加坡方面发挥了关键作用。他曾师从王一亭、潘天寿，以及吴昌硕的嫡传弟子王个簃等海派名家，于1956年定居新加坡时，将海派写意传统一并带来，深刻影响了本地中国水墨画的发展。在三十余年的教学生涯中，他培育了一代学生，其中不少成为新加坡最具名望的第二代水墨画家，包括已故文化奖得主蔡逸溪、陈克湛与陈有邦，使海派一脉在新加坡扎根并发扬光大。

Revered cultural icon and calligrapher Pan Shou.
(SPH Media)

潘受是新加坡最负盛名的书法家与诗人，素有”国宝”之誉。他生于福建泉州，19岁南来新加坡，曾任南洋大学创校秘书长。其书法初习颜真卿、虞世南，后融汇碑刻与孙过庭、怀素草书，自成一家。《联合早报》报头即出自其手笔，他于1987年荣获新加坡文化奖。

第一代画家作品价格走势与市场行情

第一代画家作品属于稀缺艺术藏品，存世精品量逐年递减，市场保值、升值属性极强，国际拍卖市场认可度极高。 

CHEONG SOO PIENG (1917-1983), Fishing Kampong
(Photo credits: Christies)

1.⁠ ⁠小型小品/纸本速写：市场价位普遍在少几千新币到几万，题材多为南洋风景、南洋人物速写，热带水果花卉，适合入门级收藏。 

Cheong Soo Pieng, Satay Seller, S$870,000
(Photo credits: Artprice)

Chen wen hsi, pasar

2.⁠ ⁠中型经典油画、水墨代表作：主流成交区间 4万-30万新币，是藏家流通、长线持有的核心品类； 

3.⁠ ⁠大型主题创作、馆藏级精品：拍卖成交价屡破纪录，其中张荔英、陈文希巅峰作品，在香港苏富比、佳士得国际拍卖会上，多次拍出数百万港元高价。 

整体市场走势：作品价格在稳定中有所增长，随着南洋艺术文化价值被持续挖掘，并且艺术先驱画家没有新增作品，精品存量越来越少，第一代名家原作已成为抗通胀的高端艺术硬通货，二手市场流通数量少，收藏家很难找到价格底的第一代画家精品。

二、什么是新加坡第二代画家？

新加坡第二代画家，特指土生土长的新加坡本土艺术家，活跃于20世纪60至90年代，大多师从第一代先驱画家。 

Portrait of Lim Tze Peng at “Becoming Lim Tze Peng,” at National Gallery Singapore, 2024.
(Courtest of National Gallery Singapore.)

他们承接了成熟的南洋艺术技法，跳出传统创作框架，深度扎根新加坡本土生活、城市发展、多元民俗文化，创作风格更具在地域性、生活化、现代化。第一代画家的开拓性相比，第二代画家作品风格更细腻多元、题材更贴合新加坡本土风格，是新加坡本土艺术成熟的核心代表，也是当下中端艺术收藏，价格合理，新的藏家容易入手的作品。

第二代核心代表人物

在新加坡第二代艺术家主要代表人物有林子平、王金城、洪亚迪（Ang Ah Tee）、陈楚智、林友权、蔡逸溪、符致珊、许锡勇、林子影等。

第二代画家作品价格走势

Ong Kim Seng, Shophouse
(Photo credits: Ong Kim Seng)

相较于第一代艺术家天价藏品，第二代名家作品门槛适中、性价比极高、升值空间充足，是大众艺术收藏、陈设办公室或家中，即有收藏价值，又有观赏价值。适合中长期投资。

1.⁠ ⁠小幅水彩、油画小品画作：几千至3万新币，入门友好，适合艺术爱好者初次入手正统南洋艺术；

2.⁠ ⁠常规尺寸油画、彩墨精品：2万—15万新币，题材丰富、风格适配现代空间，流通性极强； 

3.⁠ ⁠大型主题创作、作品尺寸大，画家的展览级作品：10万—20万新币，多为艺术家参展代表作，稀缺性高，增值潜力突出。

市场趋势：目前第二代画家作品仍处于价值洼地，随着新加坡本土艺术推广力度加大、藏家群体增加，近年成交量稳步攀升，是极具潜力的收藏品类。

三、购买收藏品渠道：通过专业艺术收藏顾问对接收藏。

很多藏家疑惑：为什么市面上很难买到新加坡一、二代名家作品？由于第一代第二代画家作品稀少，在市面普通画廊和电商平台是很难买到的。
第一代和第二代画家精品大都已经在收藏家手中，如果要想买入，就要等到收藏家卖出，买二手或三手市场作品。收藏家要出售自己的收藏品，他们会委托专业艺术机构代理。由艺术机构分析和建议出售价格。然后再找到新的买家买入。这个艺术品买卖交易绝非普通的商品。需要专业艺术顾问协调商讨再成交。

新加坡Asia Art Collective Pte Ltd 专业艺术机构和Visual Arts Centre 联合代理新加坡第一代和第二代画家作品，提供收藏咨询、作品估价、展览宣传、征集收藏品、买卖第一代和第二代画家精品。 

Asia Arts collective 和Visual Arts Centre 自2013年至今，深耕南洋经典艺术收藏代理工作，托管大量新加坡第一代、第二代画家原作精品，拥有专业展览、拍卖、销售经验。对接资深藏家私藏流转、艺术收藏置换、艺术品投资、定向交易等全渠道资源。

不同于普通商业画廊的大众化画作，两家机构主营艺术收藏品而非装饰画，所有作品均可溯源、可鉴定、可出具收藏证书，具备完整的收藏与投资价值。

在新加坡艺术市场，新加坡第一代、第二代艺术先驱及本土名家藏品，不对外公开零售、不开放自选购买，唯一正规收藏方式：通过 Visual Art Centre 与 Asia Art Collective 专属艺术顾问 一对一咨询、选品、对接交易。专业艺术顾问会根据买方、卖方的具体需求，制定收藏方向，分析当下市场走势，给出专业建议，指导收藏家收藏。

艺术顾问服务项目：

1.⁠ ⁠保真溯源：所有作品严格筛选，杜绝临摹、复刻、仿作，配套完整艺术家档案、收藏证书、流转记录，保障收藏正统性；

2.⁠ ⁠稀缺甄选：优先对接藏家释出的稀缺精品、展览级原作，优先锁定市面难寻的经典题材作品；

3.⁠ ⁠精准匹配：根据藏家预算、收藏偏好、分析投资保值空间、匹配藏家陈设空间、帮助藏家收购作品。

4.⁠ ⁠收藏交易：提供完整收藏手续，支持艺术鉴定、藏品建档，适配私人收藏、企业馆藏、资产配置等。我们欢迎藏家询问，免费提供咨询服务。如有收藏艺术品或销售艺术品需求，请和我们注册。

我们的位置

多美歌艺术工作室

地址:

10 Penang Road, #01-02 Dhoby Ghaut Green,
Singapore 238469

从多美歌地铁站B出口出来左转30米左右

点击即可找到我们！

VAC 牛车水画廊&画室

VAC Chinatown Art Gallery & Studio

地址:

20B Mosque Street，新加坡（059500）
从牛车水地铁站 A 出口左转进入摩士街步行 2 分钟

 

点击即可找到我们！
Foundation In Digital Art

Embark on a captivating journey into the vibrant world of digital art! Our Foundation in Digital Art workshop invites budding creatives aged nine and above to unleash their imagination and hone their artistic skills in a dynamic, supportive environment. From mastering basic digital tools to crafting mesmerizing digital masterpieces, children will explore a spectrum of techniques guided by seasoned mentors. Through hands-on activities and interactive sessions, participants will discover the endless possibilities of digital expression while fostering creativity and critical thinking. Join us for an exhilarating adventure where young artists transform ideas into stunning visual realities, igniting a passion for digital art

Colour & Texture Exploration With Acrylic Painting & Collage
Prepare to unleash your inner artist in a kaleidoscope of color and creativity with ‘Colour Blast: Acrylic Painting & Collage Techniques’! Dive into a whirlwind adventure where vibrant hues and mesmerizing textures collide in a symphony of imagination. From mastering the art of seamless color blending to discovering the magic of mixed media collage, this journey is a playground for your artistic soul. With each brushstroke, explore new techniques that breathe life into your canvas, transforming it into a vibrant tapestry of expression. Join us and let your creativity run wild as you embark on this colorful escapade!”
World of Manga [Foundation & Styling]
A manga art workshop for children and teenagers sounds like a fantastic idea! Here’s how you might structure it:
Introduction to Manga: Begin by introducing what manga is, its history, and its influence on popular culture worldwide. Show examples of different manga styles and genres to give participants an overview.
Basic Drawing Techniques: Start with the fundamentals of drawing, such as line work, shapes, and proportions. Provide step-by-step instructions on how to draw basic manga characters, focusing on simple shapes that can be built upon.
Character Design: Move on to character design concepts, including creating unique characters, designing their personalities, and developing backstories. Encourage participants to get creative and think outside the box.
Expression and Emotion: Teach how to convey emotions and expressions through facial expressions, body language, and positioning of characters. This can be a fun and interactive exercise where participants practice drawing various emotions.
Storytelling and Paneling: Explore the basics of storytelling in manga, including paneling techniques, pacing, and layout. Show examples of different panel structures and discuss how they affect the flow of the story.
Inking and Coloring: Introduce participants to inking techniques using pens or markers. You can also cover digital inking for those interested. Then, demonstrate basic coloring techniques using markers, colored pencils, or digital software.
Feedback and Collaboration: Provide opportunities for participants to share their work and receive feedback from their peers and instructors. Encourage collaboration by having them work together on short manga projects or collaborative drawings.
Final Showcase: End the workshop with a showcase of participants’ work. This could be in the form of an exhibition, digital gallery, or printed booklet. Celebrate everyone’s creativity and progress throughout the workshop.
Remember to create a supportive and encouraging environment where participants feel free to express themselves and explore their creativity. And don’t forget to have fun! Manga is all about imagination and passion, so let that spirit shine through in your workshop.
Academy Drawing Traditions
The academy drawing and sketching tradition, rooted in centuries of artistic practice, emphasizes disciplined study of form, proportion, and technique. Originating from Renaissance workshops and formalized by institutions like the Royal Academy, it prioritizes meticulous observation and mastery of fundamental skills. Students progress from basic exercises to complex compositions, learning to depict still life and common objects with precision and expression. This tradition values both classical principles and innovation, encouraging artists to push boundaries while maintaining a deep respect for tradition. Through rigorous training and critique, artists within this tradition cultivate a strong foundation for creative exploration and artistic excellence.
Chinese Ink Painting and Calligraphy
This course on Chinese ink painting and calligraphy introduces young learners to the rich traditions of Chinese art. Through hands-on activities, students explore the basics of brush techniques, ink control, and the delicate art of Chinese script. They learn to appreciate the cultural significance of calligraphy and painting, developing skills in creating elegant strokes and expressive brushwork. The course fosters creativity, patience, and fine motor skills, while also providing insights into Chinese history and aesthetics. By the end, children gain confidence in their artistic abilities and a deeper understanding of Chinese cultural heritage.
Funk with Graffiti
Funk With Graffiti Workshop for children is an engaging and creative program aimed at introducing young artists to the vibrant world of graffiti and funk-inspired street style art. Participants learn the basics of graffiti history, techniques, and safety. Guided by professional graffiti artists, children explore the art of designing their unique tags, emphasizing creativity, expression, and individuality. The workshop includes hands-on activities, from sketching concepts to creating final designs with spray paint on provided surfaces. By the end of the session, children gain confidence in their artistic abilities and an appreciation for graffiti and funk as legitimate forms of street art. Each child completes two original artworks, which they proudly take home, showcasing their newfound skills and personal style.
Batik Tales

In the Batik Introduction Handkerchief Painting workshop, participants will learn the traditional art of batik, a wax-resist dyeing technique originating from Indonesia. The workshop begins with a brief history and overview of batik, highlighting its cultural significance and various techniques. Participants will then observe a demonstration of applying wax with tjanting tools and dyeing the fabric. Following the demonstration, each participant will design and create their own batik handkerchief, applying wax to create patterns and then dyeing their fabric. The workshop concludes with a group discussion, allowing participants to share their creations and reflect on their learning experience.

Agree Terms & Conditions

Terms & Conditions – Neon Glow Art Jamming & Colour Blast Party (Saturday Sessions Only)

  1. Participation
    • Participation in the Neon Glow Art Jamming & Colour Blast Party is voluntary. By participating, all participants acknowledge that they understand and accept the nature of the activities and agree to participate at their own risk.
  2. Health & Safety
    • The event takes place in an outdoor festival environment featuring bright lighting effects, flashing lights, amplified music, and high sound levels, which may not be suitable for individuals who are sensitive to light, sound, or have related medical conditions.
    • Participants are responsible for ensuring that they are medically fit to participate in the activities.
  3. Colour Blast Party
    • The Colour Blast Party uses coloured cornflour powder.
    • By participating in the Colour Blast Party, participants confirm that they:
      • Do not have any known allergy or sensitivity to cornflour, corn, coloured powder, or similar materials.
      • Do not suffer from asthma, respiratory conditions, or any medical condition that may be aggravated by airborne powder.
      • Understand the nature of the activity and voluntarily choose to participate.
  4. Face & Body Painting
    • Optional face and/or body painting may be available during the event.
    • Participants choosing to receive face or body painting confirm that they have no known allergies or skin conditions that may be affected by cosmetic or body paint products. Participants with sensitive skin are advised to refrain from participating.
  5. Assumption of Risk
    • Participants acknowledge that participation in the event, including but not limited to art jamming, the Colour Blast Party, face and/or body painting, and related activities, carries inherent risks, including accidental slips, falls, minor injuries, allergic reactions, respiratory irritation, or other unforeseen incidents.
  6. Indemnity and Release
    • By participating in the event, participants agree, to the fullest extent permitted by law, to release, discharge, and indemnify Visual Arts Centre, CHIJMES, their respective officers, employees, volunteers, contractors, sponsors, partners, and representatives from any and all claims, demands, liabilities, losses, damages, costs, expenses, injuries, or actions arising out of or in connection with participation in the event, except where such claims arise directly from the negligence or wilful misconduct of the organisers.
  7. Personal Responsibility
    • Participants are responsible for their own personal belongings and should exercise reasonable care while participating. Appropriate clothing and footwear suitable for an outdoor event are recommended.
  8. Organiser's Rights
    • Visual Arts Centre and CHIJMES reserve the right to refuse participation or remove any participant whose behaviour is deemed unsafe, disruptive, or poses a risk to others. The organisers also reserve the right to modify, postpone, suspend, or cancel the event due to weather, safety concerns, or unforeseen circumstances.

Agree Terms & Conditions

Terms & Conditions For All Course/Workshop(s) at Visual Arts Centre (VAC):